for LARGE ENSEMBLE

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Dreams of a Young Piano (2014/2016), 10'/10'

for solo piano, two percussionists, and nine-piece mixed ensemble

(in two movements, 20’; first movement may be performed alone, 10’)

 

Transcriptions of Place (2012), 10'

for orchestra (2-3-2-2, 2-2-2-1, hp, pno, 2 perc, strings)

 

“and then one day…” (2003), 18'

for flute, oboe, clarinet, bassoon, two string quartets, double bass, and narrator

 

Flux (1999), 3'

for string orchestra

 

for CHAMBER ENSEMBLE

 

Inflection: Two (2023), 12-13'

for alto saxophone, percussion, and ensemble (open instrumentation, variable size)

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Three Adaptations (2021), 10'

for cello and piano

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Inflection: One (2021), 10-12'

for alto saxophone and percussion

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April Earth (2019), 10'

flute, clarinet, mezzo-soprano

hybrid score blends notation and guided improvisation

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Violent Tender (2017), 8'

for percussion quartet

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Sound Body/Sound Space (2017), 5-10'

for any duo, open instrumentation

graphic score

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Duo for Flute and Percussion (2014),16'      

for bass and c flutes and percussion

score: first half, notated; second half, guided improvisation

 

Four Poems of Li-Young Lee (2012),14'

for soprano and speaking percussionist

 

Stills; edges. Five small pieces and some number of interludes and moments (2010/Rev.2011)

for flute/alto fl, clarinet in Bb/bass cl, violin, viola, cello, piano, and percussion, 16’

 

To unnamed things (2009), 9' 

for soprano, double bass and percussion

 

Utterance for string quartet (2006/07), 15’

 

Undulations (2002), 20'

for flute/picc, English horn, bassoon, trombone, harp, viola, two percussionists

 

Duo for Cello and Clarinet (1999), 10’    

 

Duet in Magenta (1999), 4'

for tenor saxophone and piano

           

for SOLO PERFORMERS

 

upcoming Unititled solo for soprano (2024)

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upcoming Untitled solo for violin (2024)

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Breath III: labor, dream, listen (2023), 10-14' 

for solo percussionist

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Breath I (2020), 7' (variable)

for solo percussionist (and voice)

spatial notation, breath-based phrases

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Your Hat, solo in American Sign Language (2018), 18'

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Threaded Spaces, for solo piano (2018), 6'

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Counterpoints for Piano (2018), 12' (variable)

form: performer determines ordering of some fragments

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Relay/Replay for live and recorded flute (2015), 9’

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Carvings: Solo for Flute and Voice (2010/Rev.2011), 9’

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Étude for Cello: bow as breath (2010), 7’                                                                                                          

Piano Suite for Joanna (2001), 10'   

for the young musician

 

Solo for Oboe (1999), 9’

 

Solo for Cello (1999), 4’

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INSTALLATION/MULTIMEDIA

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Breath/Carries/Ritual, concert length, (2023)

devised in collaboration with Jennifer Torrence and Ayako Kato

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J's Story, (2020)

from Everyday Voices & Voids

a collaboration with Bonnie Whiting, percussion; Afroditi Psarra, Digital Arts;

Audrey Desjardins, Interaction Design at University of Washington

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Seasons of Lamentations (2017)

sound/art/dance/video installation

collaboration with faculty, staff, and students at Beloit College

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Sound Tree (2012)

sound installation of wood, paper, eucalyptus leaves, yarn, musical triangles, triangle beaters

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